WWBD: Identifying Malignant Narcissists

Bluto – Popeye FB

Much of our mental health journey revolves around optimising conditions to support an environment of mindfulness and peace. I have written in the past about the mental, physical and cognitive benefits found through experiencing music and community.

However, external forces beyond our control can shake the foundation of our ambitions and achievements. How can we push back against these distractions to maintain the serenity and calmness required for a healthy mind?

Popeye the Sailor was a 1960s cartoon depicting the seaside life of three individuals: Popeye the sailorman, Olive Oil the love-interest, and Bluto the angry bully. The Bluto character was large, bumbling and vindictive, and he served up much of the comedy in this classic cartoon. When angry, which was often, his eyes bulged and his nostrils flared. Malignant narcissists, for me, emulate Bluto and this imagery helps me disarm much of the natural reactions that tend to disrupt logical coherent thought.

In many ways, Bluto’s despicable behaviour represents a disturbing trend in today’s society; the general acceptance of declining decency, integrity and respect. The good news is that he presents himself with such ferocity and consistency that his behaviour (his Playbook) becomes obvious and predictable. Why is this good news?

It is good news because when encountering difficult individuals in our lives, comparing them to a known entity simplifies the list of available and effective relief mechanisms. Understanding other’s motivations and actions can clarify and help enable a better and healthier response. Of the many mental health disorders that may be attributed to Bluto, none shine so brightly as that of Malignant Narcissist.

WWBD: What Would Bluto Do? If the person causing you grief reminds you of Bluto’s behaviour, find below practical coping skills.

Wikipedia offers a quick and simple summary: Malignant narcissism is a psychological syndrome comprising a mix of narcissism, antisocial behavior, sadism, and a paranoid outlook on life. Lists of other attributes are well-documented, readily-available and can include, but are not limited to, the following:

Unaccountability
Doubling-down on personal opinions
Misdirected anger
Deflection from actual issues
Distraction from actual issues
Limited sense of humour and humility
Hatred of being challenged (i.e. fact-checked)
Hatred of being mocked or ridiculed (i.e. laughed at)
Hostility when confronted
Inability to handle criticism
Aggression and potential violence
Disregarding the rights of others
Content to create pain, frustration, and heartache in others
Lack of empathy
No remorse
Unapologetic
Tendency to blame others for their own bad behaviour
Self-centred, self-as-victim viewpoint

It is important for the malignant narcissist to control their self-as-victim story. In most situations, a narrative is developed that positions themselves in the best possible light. Alternate-facts are then created in support of their story. Dissenting opinions are unwelcome and the wagons circling their bubble are well-armed with falsehoods and vindictive attacks. Malignant narcissists display the attributes of a typically childish and insecure bully.

The main characters in the WWBD Playbook include the following:

  • The narcissist
  • The target victim
  • The audience
  • The fact-checker

    The Playbook character-list can be applied to any type of environment including business, society and family. In government infrastructure, the narcissist could be a political leader. The target victim could be anyone that does not fit into the narcissist’s narrative. The audience could be the general public. The fact-checker could be anyone or anything that questions the narcissist’s statements, and by definition they, too, then become a target victim. The Playbook is brutally simple and shallow. The audience is manipulated through distraction and repetition to focus on perceived threats. Anger punctuates all attacks. Facts are not necessary in this model and the bigger and louder the lie, the more likely the popular belief. The credibility of the fact-checker/target-victim is aggressively undermined and their attempts to sway the audience become more and more futile.

Applying a similar Playbook framework to our daily activity is relatively straightforward; identify the players and plug them in.

The malignant narcissist will seldomly address facts directly, choosing rather to divert attention to secondary or unrelated issues. Their distractions will position themselves as the victim and lead the audience to be victims as well, creating an environment of faux commiseration and support.

It is a fantastic time in our society to be a malignant narcissist. Accountability and integrity are rarely seen. Lying is expected. Division and outrage are fashionable. Victimization is a requirement. The state of society’s mental health is at an all-time low and hope can be elusive. Search online “victims of malignant narcissists” for more information.

What can we do to protect ourselves and our mental health against these vicious attacks on reality?

B L U T O

BOUNDARIES: Weak boundaries are readily exploited. Be as firm as possible with setting your terms of engagement but keep your expectations low. Boundaries are rarely observed and many (most) professionals recommend avoiding contact with malignant narcissists.

LET-IT-GO: Expecting fairness or an apology from a malignant narcissist is futile. Feeling shame is not part of their wheelhouse, nor is the possibility of a logical conversation, so let those go as well. Avoid contact.

UNDERSTAND: Distraction and deception are important parts of the WWBD Playbook. Statements are made to deliberately disrupt your line of thought and undermine your confidence. Be aware, be observant, be detached, be insightful.

TRUTH: Be strong. It may be necessary to expand the circle of avoidance to include audience members. Individuals that have fallen prey to the malignant narcissist’s distractions and deceptions are not necessarily against you, but their views can undermine your efforts for positive health and wellbeing.

OPTIMISM: Psychological manipulation is guaranteed and building an emotional resilience through networking and/or counseling can help. Search for a support community. We have control over our own actions and reactions. Keep it light and know that NONE OF THIS IS YOUR FAULT.

What Can YOU Do? You can understand the workings of the malignant narcissist mind, and, as difficult as it may be, try to act and react fairly and appropriately. Be a fact-checker. Call out deception and lies. Be aware of the malignant narcissist’s tactics. Audience members need to be fact-checkers. We ALL need to be fact-checkers because passive compliance creates casualties. A confidently delivered statement is not necessarily true (Dunning Kruger). Be vigilant. Be fair.

Take care of yourself. Keep humour close by. Join a choir. Help somebody today. A healthy mind is about community.

Classical Improvisation

Musical improvisation today is found extensively in jazz, free form, and rap, but it formerly held a more prominent role during the pre-classical era of music history.

Ernest Ferand states in his book titled Improvisation in Nine Centuries of Western Music that “sections of polyphonic masses were as much subjected to improvisation as opera arias,” and evidence of it is found not only in hymns and dance music, but also in madrigals, chansons, chamber duets, motets, sonatas, sacred concertos, and secular songs. Unfortunately, improvisation became less popular through the eighteenth century, appearing primarily in classical works as free solo cadenzas and in concerts by featured composer-performers.

Authors, such as Derek Bailey, refer to “the petrifying effect of European classical music on improvisation,” calling today’s classical music “formal, precious, self-absorbed, pompous, harbouring rigid conventions and carefully preserved hierarchical distinctions.” From a philosophical perspective, many other authors have joined him in condemning the elitist snobbery that goes hand-in-hand with the reverence for geniuses and timeless masterpieces.

Thomas Turino discusses the presentational-versus-participatory nature of our society today. That is, we tend to do more watching than doing. North American society tends to embrace a Eurocentric view of arts and culture, placing an emphasis on both the quality of
the art and the quality of the performance, which tends to limit enthusiasm for creative participation if the individual feels that he or she is not good enough.

Richard Schechner discusses the tendency of Western culture to separate the entertainment component of performance from the ritual aspect of sharing, again a commentary on the importance of involvement in the arts as not just presentational, but as a communal part of society.

It is possible that a return to our historic roots of improvisation and participation would provide a welcome change to the exclusionary state of the arts in Western society today.